Survey of major themes, events, and personalities in African history from the early nineteenth century through the 1960s. Topics include abolition of the slave trade, European imperialism, impact of colonial rule, African resistance, religious and cultural movements, rise of naturalism and pan-Africanism, issues of ethnicity and "tribalism" in modern Africa.

Survey of major themes, events, and personalities in African history from the early nineteenth century through the 1960s. Topics include abolition of the slave trade, European imperialism, impact of colonial rule, African resistance, religious and cultural movements, rise of naturalism and pan-Africanism, issues of ethnicity and "tribalism" in modern Africa.

Survey of major themes, events, and personalities in African history from the early nineteenth century through the 1960s. Topics include abolition of the slave trade, European imperialism, impact of colonial rule, African resistance, religious and cultural movements, rise of naturalism and pan-Africanism, issues of ethnicity and "tribalism" in modern Africa.

As the Civil War came to an end a concerted campaign formed to re-imagine and revise the origins and reasons for the war. Within just a couple of decades, former enslavers, their sympathizers, everyday southerners, and many northerners had joined forces to rewrite history. All the while, formerly enslaved people and new generations of free Black people pushed back against the rising tide of collective, and voluntary, historical amnesia in the country. From 1865 to the present day, Americans have continued to wage battles in the Civil War. This course examines American history through a variety of mediums, including newspapers, textbooks, court cases, movies, monuments, and holidays to understand for formation of historical memory. We will examine the national memory of slavery and the Civil War, what they did, could, and would mean, and how this process has been integral to creating an American historical and national identity.

Drawing inspiration from Harge’s multiform fable project FLY | DROWN and Audre Lorde’s conception of biomythography, students will trace their interiority to realize and imagine how personal histories, ancestral inheritance, and metaphysics live/move through the body. We will translate and transform stories of the flesh into a series of compositional modalities–which may include text, movement, performance, sound, and installation–to create lexicons that honor subjectivity as form. Informed by surrender, refusal, imagination, and self-sovereignty; we will situate our embodied archives as vessels for fable writing, create and correct myths through movement, and expand our relationship to memory, time, space, and illegibility.
Throughout the course, we will turn to Black feminist literary and performance works employing fable, myth, and ancestral legacies including but not limited to: Toni Morrison’s Beloved, Aretha Franklin’s gospel music, Jaamil Olawale Kosoko’s Chameleon, and a close reading of Harge’s FLY | DROWN. The room will be grounded in practices of Black fellowship, moving between study group, kickback, ceremony, cypher, and incubator. We will oscillate between these formats depending on the needs of the course and the cohort.

This first-year seminar provides a critical introduction to Black Queer literature, art, and politics. See the English Department's website at www.english.upenn.edu for a description of the current offerings.

Wine and cheese, baguettes and croissants, multiple courses and fresh ingredients straight from the market—these are the internationally recognized hallmarks of French food. Yet, even as the practices surrounding the mythical French table have been deemed worthy of a place on UNESCO’s World Heritage List since 2010, culinary traditions in France remain persistently rooted in legacies of colonialism that are invisible to many. In order to “decolonize” French food, this seminar turns to art, literature, and film, as well as archival documents such as advertisements, maps, and cookbooks. In what ways do writers and filmmakers use food to interrogate the human, environmental, and cultural toll that French colonialism has taken on the world? How do their references to food demonstrate the complex cultural creations, exchanges, and asymmetries that have arisen from legacies of colonialism?
We will interpret artworks, read literature (in English or in translation), and watch films (subtitled in English) that span the twentieth and twenty-first centuries by authors and directors from across the Francosphere—from Haiti, Guadeloupe, and Martinique in the Caribbean; to Mauritius in the Indian Ocean; from the Vietnamese diaspora in France, Canada, and the United States; to North, Central, and West Africa. Just as food can be examined from many angles, our discussions will focus on art, literature, and film, but also take into account perspectives from the fields of history, anthropology, and environmental studies. Moreover, we will employ the theoretical tools supplied by food studies, feminist and gender studies, critical race studies, and postcolonial studies.

Drawing inspiration from Harge’s multiform fable project FLY | DROWN and Audre Lorde’s conception of biomythography, students will trace their interiority to realize and imagine how personal histories, ancestral inheritance, and metaphysics live/move through the body. We will translate and transform stories of the flesh into a series of compositional modalities–which may include text, movement, performance, sound, and installation–to create lexicons that honor subjectivity as form. Informed by surrender, refusal, imagination, and self-sovereignty; we will situate our embodied archives as vessels for fable writing, create and correct myths through movement, and expand our relationship to memory, time, space, and illegibility.
Throughout the course, we will turn to Black feminist literary and performance works employing fable, myth, and ancestral legacies including but not limited to: Toni Morrison’s Beloved, Aretha Franklin’s gospel music, Jaamil Olawale Kosoko’s Chameleon, and a close reading of Harge’s FLY | DROWN. The room will be grounded in practices of Black fellowship, moving between study group, kickback, ceremony, cypher, and incubator. We will oscillate between these formats depending on the needs of the course and the cohort.

This course treats some important aspect of African American and Afro-Diasporic literature and culture. Some recent versions of the course have focused on the emergence of African-American women writers, on the relation between African-American literature and cultural studies, and on the Harlem Renaissance. See the English Department's website at www.english.upenn.edu for a complete description of the current offerings.

Africa has interwoven linkages for centuries with the Arabian Peninsula, and India, politically, historically, geographically, and culturally. These linkages were represented in continuous migrations of peoples, the circulation of goods and ideas, and the interaction with foreign forces. The ancient world of Africa, Arabia, and India had served as an epicenter of the global economy in the pre-modern world. As such, it gave rise to trading networks and political empires. The eastern and southern shores of Africa are both the recipients and the transmitters of cultural and political icons. The existence of many islands that separate Africa from India and Arabia stand as hybrid cultures that are influenced by forces from different continents. Political and cultural relations between African regions, India, and Arabia are evident with the presence of African-descent populations in these places, as well as the prevalence of cultural practices of African origin. Signs of interaction between these three regions are also apparent in several archeological sites and in the expansion that allowed the populations in these areas to share strategies during their independence movements to thwart western political hegemony. With the current advanced forms of globalization, this region is moving more towards economic and political cooperation and addressing the transnational natural and man-made threats.
The objectives of this course are to achieve the followings:
• Explore the geographic and historical interconnectedness between Africa, the Arabian Peninsula, and India.
• Examine the history of the different forces that have shaped the cultural landscape of the African shores with reference to India and the Arabian Peninsula.
• Examine the political, economic, and cultural interconnections between Africa, Arabia, and India and the impact of Europe's colonial expansion.
•Explore the historical concept of globalization and the challenges of inter-disciplinary study and research in the study of Africa and its neighbors.