Consult the Africana Studies Department for instructions. Suite 331A, 3401 Walnut or visit the department's website at https://africana.sas.upenn.edu to submit an application.

In the senior year each student, working with a faculty advisor, must complete a substantial Capstone paper of 20-25-pages on a topic of the student’s choice within the chosen Concentration.

Consult the Africana Studies Department for instructions. Suite 331A, 3401 Walnut or visit the department's website at https://africana.sas.upenn.edu to submit an application.

This course examines the flourishing civilizations of the African continent between the Fall of the Roman Empire and the dawn of the "Age of Discovery." Although material remains of the complex cultures that created exceptional works of art are rare, current archaeology is bringing much new information to the fore, allowing for the first time a preliminary survey of the burgeoning artistic production of the African continent while Europe was building its cathedrals. Bronze casting, gold work, terracotta and wood sculpture, and monumental architecture - the course takes a multi-media approach to understanding the rich foundations of African cultures and their deep interconnection with the rest of the world before the disruptive interventions of colonialism.

Consult the Africana Studies Department for instructions. Suite 331A, 3401 Walnut or visit the department's website at https://africana.sas.upenn.edu to submit an application.

In the senior year each student, working with a faculty advisor, must complete a substantial Capstone paper of 20-25-pages on a topic of the student’s choice within the chosen Concentration.

Consult the Africana Studies Department for instructions. Suite 331A, 3401 Walnut or visit the department's website at https://africana.sas.upenn.edu to submit an application.

Using an Afro-centric philosophical understanding of the world, this course will focus on psychological issues related to African Americans, including the history of African American psychology, its application across the life span, and contemporary community issues.

This course examines how we as consumers in the "Western" world engage with musical difference largely through the products of the global entertainment industry. We examine music cultures in contact in a variety of ways-- particularly as traditions in transformation. Students gain an understanding of traditional music as live, meaningful person-to-person music making, by examining the music in its original site of production, and then considering its transformation once it is removed, and recontextualized in a variety of ways. The purpose of the course is to enable students to become informed and critical consumers of "World Music" by telling a series of stories about particular recordings made with, or using the music of, peoples culturally and geographically distant from the US. Students come to understand that not all music downloads containing music from unfamiliar places are the same, and that particular recordings may be embedded in intriguing and controversial narratives of production and consumption. At the very least, students should emerge from the class with a clear understanding that the production, distribution, and consumption of world music is rarely a neutral process. Fulfills College Cross Cultural Foundational Requirement.

Black thought, culture, history, socio-economic conditions, and politics worldwide matter. How we tell the stories about the vastness of Black lives in our scholarship matter even more greatly. The course will focus on the craft of writing the dissertation in the interdisciplinary field of Africana Studies with a focus on producing innovative scholarship as emergent scholars. Targeting students who have advanced to doctoral candidacy, the primary intent is to learn from African diaspora scholars who write about writing as well as to admire the writers in our field who craft stories about Black lives that we want to read. We will devote some class time to discussing some prominent writers (Alice Walker, Ngugi Wa Thiongo, bell hooks, Claudia Tate, Binyavanga Wainaina) who have discussed their craft of writing to shine a light on Africa and the diaspora. However, the main aim of the course is to give advanced PhD students the time and physical space to write their dissertations in community with students. In this workshop style course, the focus will be on supporting students through the challenging task of completing dissertations in ways that illustrate their innovative and critical approaches to research and writing.
The course objectives include:
1. To provide advanced doctoral students with the consistent time and physical space to complete at least one chapter of their dissertations.
2. To introduce students to discussions about the craft of writing about Black lives in global contexts.
3. To teach students how to craft detailed outlines and writing plans for significant bodies of work such as a dissertation and a book.
4. To teach how to organize original research data and archival materials to write narratives that give significant attention to those materials.
5. To learn how to balance theoretical engagement with existing scholarship and offering new insights drawn from the dissertation research.
6. To provide students with the tools for processing substantive feedback on the writing and organizing critiques for revision of the dissertation, and how to turn the dissertation into articles and a book.
Prerequisite: Doctoral candidates in the Department of Africana Studies and students who have received the Certificate in Africana Studies who are actively writing the dissertation.