This co-taught course examines films with thematic and epochal focus on some of the major political and historical events of the 20th century that have resulted in revolutions. In this course, Brink and Revolution will be given equal emphasis, as many film makers document, or render plausible through fiction, failures as well as successes, new vistas as well as blind spots, in attempts at revolution. We seek to explore the arc of revolutions, their beginnings, conflicts, and propulsion as people in movement attempt to create new social, cultural and economic orders, and the efforts of film makers to chronicle their actions, manifestos, popular mobilization, conflicts and constraints. Marx’s dictum “Men make history, but not as they choose” is evident in many films that capture cinematically the dialectical tensions between institutions and people seeking to maintain an existing order, often with high doses of repression, and those social movements and actors with oppositional imaginaries of the political present and future. Yet we are expanding Marx’s dictum to encompasses people of all genders who make, act in, produce and serve as models for cinemas on the brink of revolution.

A thorough panorama of contemporary Caribbean societies and their diasporic communities, this course enhances the students' knowledge of the region's main historical, political, and sociocultural trends. We will examine Caribbean multiple narratives of survival and resilience within a global context, through the study of 20th and 21st-centuries literary, cinematographic, musical, visual and performative works. The cultural analysis will be supported by a theoretical framework encompassing critical Caribbean theories on identity and identification.

This course explores theories, debates, and frameworks in African American popular culture. Drawing on Africana, Gender and Sexuality, Communications and Performance Studies, it examines histories of Black representation across a number of performance forms. Television, film, dance, theater, music and more will be explored to interrogate the ways blackness has been defined, framed, and disseminated. What are the micro-politics through which racial difference is produced? How have Black people redefined and wrestled with questions of authenticity and "the real"? What are the capacities and the limits of popular culture to both render and shape Black life? In examining blackness through a number of performance mediums, we will consider the creative labor that Black people produce, and the processes of racialization produced through Black bodies.

This course is designed to introduce students to the religious experiences of Africans and to the politics of culture. We will examine how traditional African religious ideas and practices interacted with Christianity and Islam. We will look specifically at religious expressions among the Yoruba, Southern African independent churches and millenarist movements, and the variety of Muslim organizations that developed during the colonial era. The purpose of this course is threefold. First, to develop in students an awareness of the wide range of meanings of conversion and people's motives in creating and adhering to religious institutions; Second, to examine the political, cultural, and psychological dimensions in the expansion of religious social movements; And third, to investigate the role of religion as counterculture and instrument of resistance to European hegemony. Topics include: Mau Mau and Maji Maji movements in Kenya and Tanzania, Chimurenga in Mozambique, Watchtower churches in Southern Africa, anti-colonial Jihads in Sudan and Somalia and mystical Muslim orders in Senegal.

This writing workshop will explore the craft of young adult literature. Students will focus on concerns crucial to writing about and for teens, such as voice, point of view, immediacy, and pacing, and will draw on the many possibilities available in YA literary fiction: blurred genres, unreliable narrators, surrealism, retellings, and issues of identity and self-discovery. We will look beyond straightforward prose into forms such as epistolary and verse novels and other experimental mashups. To learn more about this course, visit the Creative Writing Program at https://creative.writing.upenn.edu.

If the afterlife of slavery, as Saidiya Hartman argues, is an aesthetic problem, what then is the relationship between abolition and aesthetics? How has the ongoing project of abolition been an aesthetic enterprise, and how does art shape its aims and horizon -- historically, presently and in afro-futuristic imaginary of the to come? How might the analytics of black studies, feminist theory, and trans studies, in their co-implicacy and entanglement, prompt a rethinking of aesthetics -- both its limits and possibilities?
In this course we will consider the art(s) of the Black radical tradition, trans art, queer art and feminist art and theory, alongside a grounding in aesthetic theory, and explore the work of a constellation of scholars in Black studies, art history and artists including Saidiya Hartman, Laura Harris, Fred Moten, Huey Copeland, American Artists, fields harrington, Denise Ferreira da Silva, Tourmaline, Juliana Huxtable, Kiyan Williams, Simone Leigh, Alvin Baltrop, Tina Campt, (and more) to consider how abolition is activated in contemporary Black queer, trans and feminist visual art.

"The people need to know the story. See how they fit into it. See what part they play.”
- August Wilson, King Hedley II
If you want to get to know community members from West Philadelphia, collaborate deeply with classmates, gain deeper and more nuanced understandings of African American history and culture, engage in a wide range of learning methods, and explore some of the most treasured plays in the American theatre, then this is the course for you. No previous experience required, just curiosity and willingness to engage. In this intergenerational seminar, Penn students together with older community members read groundbreaking playwright August Wilson's American Century Cycle: ten plays that form an iconic picture of African American traditions, traumas, and triumphs through the decades, nearly all told through the lens of Pittsburgh's Hill District neighborhood. (Two of Wilson’s plays are receiving fresh attention with recent acclaimed film versions: Fences with Denzel Washington and Viola Davis; Ma Rainey’s Black Bottom with Davis and Chadwick Boseman.) Class participants develop relationships with one other while exploring the history and culture that shaped these powerful plays.
As an Academically Based Community Service (ABCS) course, the class plans and hosts events for a multigenerational, West Philadelphia-focused audience with community partners West Philadelphia Cultural Alliance / Paul Robeson House & Museum, and Theatre in the X. Class members come to a deeper understanding of Black life in Philadelphia through stories community members share in oral history interviews. These stories form the basis for an original performance the class creates, presented at an end-of-semester gathering. Wilson's plays provide the bridge between class members from various generations and backgrounds. The group embodies collaborative service through the art and connection-building conversations it offers to the community.

The end of colonial rule was the springboard for the start of cold wars in various regions of Africa. Where peace could not be maintained violence erupted. Even where secession has been attained, as in the new country of South Sudan, the threat of civil war lingers. While domestic politics have led to the rise of armed conflicts and civil wars in many African countries, the external factors should also not be ignored. Important in all current conflicts is the concern to international peace and security. Overall this course will: (1) investigate the general nature of armed conflicts in Africa (2) provide in-depth analysis of the underlying factors (3) and discuss the regional and the international responses to these conflicts and their implications. Special emphasis will be placed upon African conflicts and civil wars in: great Lakes area, Mali, Nigeria, Senegal, Sudan, Somalia, South Sudan, and Uganda.

This advanced seminar focuses on literary, cultural, and political expressions of gender and sexuality. See the English Department's website at www.english.upenn.edu for a description of the current offerings.

Africa has interwoven linkages for centuries with the Arabian Peninsula, and India, politically, historically, geographically, and culturally. These linkages were represented in continuous migrations of peoples, the circulation of goods and ideas, and the interaction with foreign forces. The ancient world of Africa, Arabia, and India had served as an epicenter of the global economy in the pre-modern world. As such, it gave rise to trading networks and political empires. The eastern and southern shores of Africa are both the recipients and the transmitters of cultural and political icons. The existence of many islands that separate Africa from India and Arabia stand as hybrid cultures that are influenced by forces from different continents. Political and cultural relations between African regions, India, and Arabia are evident with the presence of African-descent populations in these places, as well as the prevalence of cultural practices of African origin. Signs of interaction between these three regions are also apparent in several archeological sites and in the expansion that allowed the populations in these areas to share strategies during their independence movements to thwart western political hegemony. With the current advanced forms of globalization, this region is moving more towards economic and political cooperation and addressing the transnational natural and man-made threats.
The objectives of this course are to achieve the followings:
• Explore the geographic and historical interconnectedness between Africa, the Arabian Peninsula, and India.
• Examine the history of the different forces that have shaped the cultural landscape of the African shores with reference to India and the Arabian Peninsula.
• Examine the political, economic, and cultural interconnections between Africa, Arabia, and India and the impact of Europe's colonial expansion.
•Explore the historical concept of globalization and the challenges of inter-disciplinary study and research in the study of Africa and its neighbors.