If the afterlife of slavery, as Saidiya Hartman argues, is an aesthetic problem, what then is the relationship between abolition and aesthetics? How has the ongoing project of abolition been an aesthetic enterprise, and how does art shape its aims and horizon -- historically, presently and in afro-futuristic imaginary of the to come? How might the analytics of black studies, feminist theory, and trans studies, in their co-implicacy and entanglement, prompt a rethinking of aesthetics -- both its limits and possibilities?
In this course we will consider the art(s) of the Black radical tradition, trans art, queer art and feminist art and theory, alongside a grounding in aesthetic theory, and explore the work of a constellation of scholars in Black studies, art history and artists including Saidiya Hartman, Laura Harris, Fred Moten, Huey Copeland, American Artists, fields harrington, Denise Ferreira da Silva, Tourmaline, Juliana Huxtable, Kiyan Williams, Simone Leigh, Alvin Baltrop, Tina Campt, (and more) to consider how abolition is activated in contemporary Black queer, trans and feminist visual art.

This course proposes an examination of race with a three-pronged approach: one that broadly links the study of race in the United States with a multi-disciplinary approach; situates specific conversations within the immediate location of Philadelphia; and examines the international human rights context of race with Greece as a case study.
The broad historical examination advances key concepts of race and racialization, explores key theoretical methodologies, and highlights major scholarly works. Students will engage with the study of race through Africana Studies, Asian American Studies, Urban Studies, South Asia Studies, Latin American & Latinx Studies, and through international human rights law. Readings and methodologies will introduce students to critical issues in education, in literature, in sociology, and with methods in oral history, archival work, and ethnography. Most importantly, this extensive approach highlights the impact of race across multiple communities including Black Americans, immigrant populations, Asian Americans, and international communities that are marginalized to emphasize connections, relationships, and shared solidarity. Students are intellectually pushed to see the linkages and the impacts of racism across and among all Americans and from a thematic and legal perspective. As each theme is introduced a direct example from Philadelphia will be discussed.
The combination of the national discourse on race, with an intimate perspective from the City of Philadelphia and travel to Greece, engages students both intellectually and civically. The course will be led by Fariha Khan and Fernando Chang-Muy along with local activists with varied disciplinary backgrounds from local community organizations. Each guest lecturer not only brings specific disciplinary expertise, but also varied community engagement experience.
This course is a Penn Global Seminar, which includes a travel component. An application is required. For more information and to apply, visit: https://global.upenn.edu/pennabroad/pgs. The course is also supported by the SNF Paideia Program, the Asian American Studies Program and Africana, Latin American & Latinx Studies, Sociology, South Asia Studies, and Urban Studies.

This seminar examines the literary, historical, and visual matter of the archive in order to generate new method of analysis in cultural studies. Different instructors may emphasize different aspects of the field. Please see the English Department's website at www.english.upenn.edu for a complete description of the current offerings.

In this course, students will learn the basics of social science research, from the conception of a research project to its execution and analysis. Working individually and in teams, we will explore the basics of social science research methods—both qualitative and quantitative and extant research on the social, psychological, and academic experiences of Black college students. Using these as a starting point, students will develop and execute one or more research projects. This will include decisions about the topic to be studied, the scope of the project, methodology and design, data collection and analysis. Students will develop research skills and the ability to work both independently and collaboratively on such projects, what kinds of assumptions and/or conclusions can/cannot be drawn from different types of research, and methods for making the results of their research accessible to various audiences. This course satisfies either the Methodology requirement or the upper-level research requirement for the Africana Studies major.

In this workshop, we will address the ways race, class, and gender impact our lives, our work, and our culture. As a class, we will create connection and community by practicing deep listening, daily writing, deep reading, and the sharing of ideas and observations.

This course explores contemporary Black thought through a set of literary, visual, and theoretical texts. Our theoretical repertoire will include concepts like love, quiet, fabulation, and gaze to explore Black interiority in relation to political movements, aesthetic experimentation, gender and sexual identity, and African continental and diasporic practices. The course will draw on a range of genres (including films, photo portraits, personal essays, and criticism) and also take a comparative approach (including works from Africa, the Caribbean, and the United States). See the English Department's website at www.english.upenn.edu for a complete description of the current offerings.

This course is an introduction to the language of the Egyptian Old Kingdom. The grammar of the period will be introduced during the early part of the semester, using Ededl's ALTAGYPTISCHE GRAMMATIK as the basic reference. Other grammatical studies to be utilized will include works by Allen, Baer, Polotsky, Satzinger, Gilula, Doret, and Silverman. The majority of time in the course will be devoted to reading varied textual material: the unpublished inscriptions in the tomb of the Old Kingdom offical Kapure--on view in the collection of the University Museum; several autobiographical inscriptions as recorded by Sethe in URKUNDEN I; and a letter in hieratic (Baer, ZAS 93, 1966, 1-9).

This course focuses on the historical and cultural relationship between Africans and their descendants abroad.

This course critically examines stereotype threat and impostor phenomenon as they relate to African Americans. Both stereotype threat and impostor phenomenon negatively affect African Americans. The apprehension experienced by African Americans that they might behave in a manner that confirms an existing negative cultural stereotype is stereotype threat, which usually results in reduced effectiveness in African Americans' performance. Stereotype threat is linked with impostor phenomenon. Impostor phenomenon is an internal experience of intellectual phoniness in authentically talented individuals, in which they doubt their accomplishments and fear being exposed as a fraud. While stereotype threat relies on broad generalization, the impostor phenomenon describes feelings of personal inadequacy, especially in high-achieving African Americans. This course will explore the evolving meanings connected to both stereotype threat and impostor phenomenon in relation to African Americans.

This graduate seminar entertains the history of African American cultural production primarily in the twentieth century through foundational and emerging works in the field. This seminar focuses on African American religious history, with a focus on the material, visual, auditory, and literary religious constructions of everyday worlds, lives, and professions. Our readings attend to intersectional dimensions of African American religious life, highlighting the connections of race, gender identity, sexual orientation, class, alternative religious identities, and region.
A focus on Black cultural production and its producers enriches African American religious history. Seminar participants will engage the theoretical concerns and methodological approaches that illuminate the ways that Black women and men capture and (re)shape the meaning of their worlds in a variety of domestic, professional, social, and political settings. The seminar’s primary aims are to help participants define interests within the field to pursue further study, to consider potential areas of research, and to aid preparation for doctoral examinations.