This course will examine demographic and statistical methods used to capture the impact of racial stratification in society. This course covers the skills and insights used by demographers and social statisticians in the study of racial data. A key challenge facing researchers is the interpretation of the vast amount of racial data generated by society. As these data do not directly answer important social questions, data analysis and statistics must be used to interpret them. The course will examine the logic used to communicate statistical results from racial data in various societies. We will question the scientific claims of social science methodology by extending the critical perspective to biases that may underlie research methods. We will discuss good and bad practices within the context of the historical developments of the methods.

This seminar invites students to do original research into the stories of Black refugees – including escaped, kidnapped, sojourning, and other temporary or permanent residents of Pennsylvania. Their stories unfolded through contentious freedom suits, daring escapes on the Underground Railroad, newspaper wars, gun fights and thuggery, treason cases, and more. We have assembled an archive of statutes, legal cases, testimony, judicial and administrative decisions, newspaper stories, images, memoirs, maps, and more to help students get started with their research. In addition, students will have opportunities to pursue additional research at the Historical Society of Pennsylvania, a co-sponsor of this course. Many of these materials have never been the subject of sustained study or placed in their historical context. Students will choose their topics in consultation with the professors and will produce research reports in written or digital or cinematic formats.
Students are expected to contribute to the course website, a platform that will be available to the public as well as to the Penn community, and we aim to provide new information and venues for research. The course therefore will involve considerations of how best to convey what we learn, as well as explorations of historical methods and collaborating archives.

This advanced undergraduate course examines African-American women’s history in the U.S., with an emphasis on social activism, politics, and cultural production. This course will use first-hand narratives as well as monographs to provide an overview of African-American women’s lives from slavery to the contemporary period. Through writing assignments, students will have an opportunity to strengthen their expository writing, as well as their primary and secondary research skills.

This seminar considers the early history of the colonial Caribbean, not from the perspective of colonizing powers but rather from “below.” Beginning with European-indigenous contact in the fifteenth century, and ending with the massive slave revolt that became the Haitian Revolution (1791-1804), we will focus on the different ways in which indigenous, African, European and creole men and women experienced European colonization in the Caribbean, as agents, victims and resistors of imperial projects. Each week or so, we will examine a different social group and its treatment by historians, as well as anthropologists, archaeologists, sociologists, and novelists. Along the way, we will pay special attention to the question of sources: how can we recover the perspectives of people who rarely left their own accounts? How can we use documents and material objects—many of which were produced by colonial officials and elites—to access the experiences of the indigenous, the enslaved, and the poor? We will have some help approaching these questions from the knowledgeable staff at the Penn Museum, the Kislak Center for Special Collections, Rare Books and Manuscripts, and the Van Pelt Library.

"The people need to know the story. See how they fit into it. See what part they play.”
- August Wilson, King Hedley II
If you want to get to know community members from West Philadelphia, collaborate deeply with classmates, gain deeper and more nuanced understandings of African American history and culture, engage in a wide range of learning methods, and explore some of the most treasured plays in the American theatre, then this is the course for you. No previous experience required, just curiosity and willingness to engage. In this intergenerational seminar, Penn students together with older community members read groundbreaking playwright August Wilson's American Century Cycle: ten plays that form an iconic picture of African American traditions, traumas, and triumphs through the decades, nearly all told through the lens of Pittsburgh's Hill District neighborhood. (Two of Wilson’s plays are receiving fresh attention with recent acclaimed film versions: Fences with Denzel Washington and Viola Davis; Ma Rainey’s Black Bottom with Davis and Chadwick Boseman.) Class participants develop relationships with one other while exploring the history and culture that shaped these powerful plays.
As an Academically Based Community Service (ABCS) course, the class plans and hosts events for a multigenerational, West Philadelphia-focused audience with community partners West Philadelphia Cultural Alliance / Paul Robeson House & Museum, and Theatre in the X. Class members come to a deeper understanding of Black life in Philadelphia through stories community members share in oral history interviews. These stories form the basis for an original performance the class creates, presented at an end-of-semester gathering. Wilson's plays provide the bridge between class members from various generations and backgrounds. The group embodies collaborative service through the art and connection-building conversations it offers to the community.

The end of colonial rule was the springboard for the start of cold wars in various regions of Africa. Where peace could not be maintained violence erupted. Even where secession has been attained, as in the new country of South Sudan, the threat of civil war lingers. While domestic politics have led to the rise of armed conflicts and civil wars in many African countries, the external factors should also not be ignored. Important in all current conflicts is the concern to international peace and security. Overall this course will: (1) investigate the general nature of armed conflicts in Africa (2) provide in-depth analysis of the underlying factors (3) and discuss the regional and the international responses to these conflicts and their implications. Special emphasis will be placed upon African conflicts and civil wars in: great Lakes area, Mali, Nigeria, Senegal, Sudan, Somalia, South Sudan, and Uganda.

This course explores an aspect of race and ethnicity intensively. See the English Department's website at www.english.upenn.edu for a description of the current offerings.

This seminar/studio course introduces students to theories, debates, and critical frameworks in African Diaspora Dance Studies. It asks: What role does dance play throughout the African diaspora? What makes a dance 'black'? How do conceptualizations of gender and sexuality inform our reading of dancing bodies? Using African diaspora, critical dance, performance, and black feminist frameworks, we will examine the history, politics, and aesthetics of "black dance". Through a keywords format, we'll construct both a vocabulary: a body of words used to describe a phenomena, and a grammar: a body of rules that lay bare the operations between terms. This course recognizes the fluidity of meaning between words depending on the context, geography, and circumstance of their evocation. Our key terms will allow us to examine a number of dancers, choreographers, companies, and movement practices. Moving across an African diasporic map, this course explores the politics of black choreography, and the political significance of black bodies in motion.

African storytellers entertain, educate, and comment obliquely on sensitive and controversial issues in artful performance. The course considers motifs, structures, and interpretations of trickster tales and other folktales, storytellers performance skills, and challenges to presenting oral narrative in written and film texts. The course also explores ways traditional storytelling has inspired African social reformers and artists, particularly filmmakers. Students will have opportunities to view films in class.

The goal of this course is to study the role the law has played, and continues to play, in addressing the problems of racial discrimination in the United States. Contemporary issues such as racial profiling, affirmative action, and diversity will all be covered in their social and legal context. The basis for discussion will be assigned texts, articles, editorials and cases. In addition, interactive videos will also be used to aid class discussion. Course requirements will include a term paper and class case presentations.