"This graduate course introduces students to theories, practices, and critiques of critical ethnography. Ethnography -- an approach to the study of culture which anthropologist James Clifford described as a process that "translates experiences into text" - will have our full attention. This process of translation, although seemingly straightforward, requires layers of interpretation, selection, and the imposition of a viewpoint or politics. While ethnography is often narrowly conceived of as a methodology, this course considers ethnography as a mode of inquiry, as a philosophy, as an ongoing question and performance. We wrestle with notions of "the self" and "the other" at the intersection of imbricated cultural and performance worlds. Together we'll ask: How is ethnography both critical and performative? What is the relationship between theory and method? How can we evaluate ethnographic work? And finally, what kinds of ethnographers do we want to be? This course considers a range of ethnographic examples in order to analyze both the craft and the stakes of "translating experiences into text."

This course examines the ways in which the processes of the extraction, refining, sale and use of natural resources – including oil and diamond – in Africa produce complex regional and global dynamics. We explore how values are placed on resources, how such values, the regimes of valuation, commodification and the social formations that are (re)produced by these regimes lead to cooperation and conflict in the contemporary African state, including in the relationships of resource-rich African countries with global powers. Specific cases will be examined against the backdrop of theoretical insights to encourage comparative analyses beyond Africa. Some audio-visual materials will be used to enhance the understanding of the political economy and sociality of natural resources.

This course examines the flourishing civilizations of the African continent between the Fall of the Roman Empire and the dawn of the "Age of Discovery." Although material remains of the complex cultures that created exceptional works of art are rare, current archaeology is bringing much new information to the fore, allowing for the first time a preliminary survey of the burgeoning artistic production of the African continent while Europe was building its cathedrals. Bronze casting, gold work, terracotta and wood sculpture, and monumental architecture - the course takes a multi-media approach to understanding the rich foundations of African cultures and their deep interconnection with the rest of the world before the disruptive interventions of colonialism.

African-American Childhood is an upper-level seminar designed to introduce students to the literature on childhood and youth through the lens of African-American children's history. The class will demonstrate the relationship that race, gender, and age have in shaping children's experiences. Readings will focus on institutions serving African-American children, their participation in civil rights struggles, and the representation of African-American children in popular culture. The class will also consider children as political actors in major moments of African-American history. Class assignments will include two long research papers, presentations on course texts and a field trip. Students will strengthen their expository writing, as well as their primary and secondary research skills.

This undergraduate seminar places contemporary Black spiritualities at the center of the study of African-descended peoples. Through recent books in the ethnography of Africana religions, spiritual communities in Africa, the Caribbean, and North America that have established communities in the United States will constitute the focus of our course readings and anchor our weekly discussions. As an advanced seminar, our meetings will allow participants to interrogate the authors of these ethnographies. We will assess how these accounts have conceptualized the African diaspora and the vantages (“insiders” and “outsiders”) from which they describe religious beliefs, practices, and institutions. Beyond considering the commonalities and distinctions in form and practice that characterize various African diasporic religious practices, participants will also work to understand the constructions of race and belonging, ethnic identity, gender, sexuality, class, and geographic location that affect the lives of Black religious adherents.

This course is an examination and analysis of the changing images and achievements of African Americans in motion pictures and television. The first half of the course focuses on African-American film images from the early years of D.W. Griffith's "renegade bucks" in The Birth of a Nation (1915); to the comic servants played by Steppin Fetchit, Hattie McDaniel, and others during the Depression era; to the post-World War II New Negro heroes and heroines of Pinky (1949) and The Defiant Ones (1958); to the rise of the new movement of African American directors such as Spike Lee (Do the Right Thing), Julie Dash (Daughters of the Dust), Charles Burnett, (To Sleep With Anger) and John Singleton (Boyz N the Hood). The second half explores television images from the early sitcoms "Amos 'n Andy" and "Beulah" to the "Cosby Show," "Fresh Prince of Bel Air," and "Martin." Foremost this course will examine Black stereotypes in American films and television--and the manner in which those stereotypes have reflected national attitudes and outlooks during various historical periods. The in-class screenings and discussions will include such films as Show Boat (1936), the independently produced "race movies" of the 1930s and 1940s, Cabin in the Sky (1943), The Defiant Ones (1958), Imitation of Life (the 1959 remake) & Super Fly (1972).

In this course, we will work both chronologically and thematically to examine laws, constitutional provisions, and local and federal court decisions that established, regulated, and perpetuated slavery in the American colonies and states. We will concern ourselves both with change over time in the construction and application of the law, and the persistence of the desire to control and sublimate enslaved people. Our work will include engagement with secondary sources as well as immersion in the actual legal documents. Students will spend some time working with Mississippi murder cases from the 19th century. They will decipher and transcribe handwritten trial transcripts, and will historicize and analyze the cases with attention to procedural due process as well as what the testimony can tell us about the social history of the counties in which the murders occurred. The course will end with an examination of Black Codes that southern states enacted when slavery ended.

This course is designed to introduce students to the religious experiences of Africans and to the politics of culture. We will examine how traditional African religious ideas and practices interacted with Christianity and Islam. We will look specifically at religious expressions among the Yoruba, Southern African independent churches and millenarist movements, and the variety of Muslim organizations that developed during the colonial era. The purpose of this course is threefold. First, to develop in students an awareness of the wide range of meanings of conversion and people's motives in creating and adhering to religious institutions; Second, to examine the political, cultural, and psychological dimensions in the expansion of religious social movements; And third, to investigate the role of religion as counterculture and instrument of resistance to European hegemony. Topics include: Mau Mau and Maji Maji movements in Kenya and Tanzania, Chimurenga in Mozambique, Watchtower churches in Southern Africa, anti-colonial Jihads in Sudan and Somalia and mystical Muslim orders in Senegal.

This is a course for students who are looking for ways to use their writing to participate in electoral politics. Student writers will use many forms, including essay, social media posts, videos, scripts, and podcasts, to explore our desire to live responsibly in the world and to have a say in the systems that govern and structure us. To learn more about this course, visit the Creative Writing Program at https://creative.writing.upenn.edu.

This writing workshop will explore the craft of young adult literature. Students will focus on concerns crucial to writing about and for teens, such as voice, point of view, immediacy, and pacing, and will draw on the many possibilities available in YA literary fiction: blurred genres, unreliable narrators, surrealism, retellings, and issues of identity and self-discovery. We will look beyond straightforward prose into forms such as epistolary and verse novels and other experimental mashups. To learn more about this course, visit the Creative Writing Program at https://creative.writing.upenn.edu.